T: String Quartet in G Major, K. 80, III (Menuetto)

Wolfgang Amedeus Mozart (1756-1791) was wholeness of the or so influential composers of the classical era. He was already proficient on violin and piano by grow 5, which is the same age in which he began composing. In 1770, when Mozart was 14 years old, he composed pull Quartet in G Major, K. 80. The string quartet has 4 movements Adagio, fast, Menuetto, and Rondeao Allegro. The third movement, Menuetto, begins in the key of G major, but modulates to D major on beat one of throwaway 12. It then modulates back to G major on beat one of measure 16. When audition to a recording of the movement, it is hard to hear the modulation because Mozart snuck in the C sharps so smoothly.Mozart uses non-harmonic tones in the start-off violin, second violin, genus Viola, and cello parts. In measure three, the violin has a neighboring tone and an appoggiatura. The violin overly has escape tones throughout the piece. -3 and 6-5 suspensions occur in measures 4 and 24 in the first violin and vi ola parts. Throughout the movement, there be passing tones and neighboring tones in the second violin, viola, and cello parts. There are also many 6/4 chords, including passing 6/4 chords in measures 3, 11, 12, and 14. This movement has deuce sections A and B. However, A occurs again at the end of the movement. The first section, A, occurs in the measures 1 through 8, and has cardinal parts a and b. This section is a contrasting period, because there is a half cadence on measure 4, a perfect authentic cadence on measure 8, and the entire section repeats. The coterminous section, B, occurs in measures 9-20, and has three parts a, b, and c. There is a perfect authentic cadence at measure 16, and a half cadence at measure 20. Section A occurs again from measures 21-28. There is a half cadence at measure 24 and a perfect authentic cadence at measure 28. The entire movement is in sectional rounded binary form.